activities


Date: 7-8 October 2010.
Location: Casa del Cinema. Largo Marcello Mastroianni 1, Rome, Italy.

The EUscreen best practice network is hosting a two-day international conference on content selection policies and contextualisation in the audiovisual domain. It will be held in Rome on 7 and 8 October 2010. The conference will focus on contextualisation of audiovisual material. Attendance is free, but pre-registration is compulsory as the number of seats is limited. The complete programme is published online at www.euscreen.eu

The first conference day begins with a keynote speech by Professor. Andrew Hoskins, Professor of Cultural Studies at Nottingham University. The day will continue with plenary sessions by Dr. Lilian Landes, scientific co-ordinator of the recensio.net project at Bavaria State Library and Dr. Alec Badenoch, from Utrecht University. The afternoon programme includes three case studies and a keynote speech lecturer and filmmaker Professor. Johan Söderberg.

The second conference day will be devoted to two half-day workshops. The first workshop will focus upon creative reuse of archive material. Peter B. Kaufman, president of Intelligent Television, will talk about ‘Unlocking Audiovisual Value’ through reuse. His keynote speech will be followed by four case studies (from INA, Sound and Vision, VRT and ELTE).

The central topic of the second workshop is ‘selection criteria and success indicators for large-scale AV digitisation programmes’. It begins with a keynote address from Professor. John Ellis, Professor of Media Arts at Royal Holloway, University of London, and will be followed by case studies from the BBC, DR, Memoriav and Sound and Vision. Both days also include panel discussions.

Please go to www.euscreen.eu for more information and details on how to register for this event. Make sure to register in time, as there are only a few tickets left.

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Press release by EUscreen

23-24 June, Mykonos, Greece

EUscreen has organised a two-day workshop on metadata schemes and content selection strategies in the audiovisual domain, to be held in Mykonos town, Greece on June 23 and 24. The workshop will focus on the presentation and analysis of metadata schemes and content selection policies within major European projects in general and EUscreen in particular, and will present some state of the art applications in multimedia retrieval and reuse.

The first day’s programme will be devoted to developments within the EUscreen project. This includes the presentation of the project’s content selection strategy, a demonstration of the EUscreen back-end, and a preview of the EUscreen portal, to be launched in January 2011.

The second day provides an overview of experiences and state of the art European projects in the audiovisual domain. This includes presentations by projects and organisations such as the European Broadcasting Union (EBU), the European Film Gateway (EFG), Europeana and the World Wide Web Consortium (W3C). More information about the workshop, along with the full program, can be found here. Attendance is free, but online registration is required.

The renowned media artist and independent filmmaker Péter Forgács has used the material from Video Active to create a short documentary. By using footage from the different archives, Forgács gives a beautiful insight in the rich material available on Video Active. The documentary enables viewers to discover various aspects of European television history in a compelling form. This new work will have its online premiere on October 27th, to celebrate the UNESCO World Day for the Preservation of the Audiovisual Heritage and can be viewed from this day on http://tinyurl.com/videoactive

About Péter Forgács
Since 1976, Péter Forgács is present in the Hungarian art scene as filmmaker and media artist. In the 1970s and ’80s he collaborated with the contemporary music ensemble Group 180, and worked in the Balázs Béla Film Studio. In 1983, Forgács established the Private Photo & Film Archives Foundation (PPFA) in Budapest, a unique collection of amateur film footage, and has used this material as  raw data for his unique re-orchestrations of history. His international debut came with the Bartos Family (1988), which was awarded the Grand Prix at the World Wide Video Festival in The Hague (1990) and in 2002 the Getty Research Institute exhibited his installation The Danube Exodus: Rippling Currents of the River. Forgács has received several international festival awards in Budapest, Lisbon, Marseilles, San Francisco, New York and Berlin. Forgács won the 2007 Erasmus Prize, which is “awarded to a person or institution which has made an exceptionally important contribution to culture in Europe.” (biography source: Wikipedia, http://en.wikipedia.org/wiki/Peter_Forgacs )

View the entire press release here..